Digital Art

TRANSMEDIALE / ART & DIGITAL CULTURE

Berlin, february 2016

FIVE YEARS AFTER

Moderated by Oliver Schultz, with Esrra'a Al Shafei, Heba Y.Amin, Lara Baladi, Özge Celiskasian and Alper Sen

“In case you hadn’t noticed, these days a lot of the world is in some form of rebellion, insurrection, or protest,” wrote Rebecca Solnit in 2012, a year after a barrage of movements symbolically grouped around the Arab Spring erupted. These “post-2011” events challenged the sometimes simplistic narratives of the “post-911” world. What linked the events in this cycle of struggles was not organizational coherence but rather a shared global sentiment mediated by a new form of global sensorium. Social energies headed “back to the streets,” bringing up questions about the consequences of physical exposure, organization, strategy, fragmentation, and violence. New media became double-edged weapons, used for and against emancipation. While after 2011 there were some attempts to decipher these “signs from the future,” as Žižek has put it, now in 2015 it seems that the “global moment” has ended. It’s time for a reflective turn, looking into dim corners and listening to the subterranean echoes of what’s happened. And looking ahead.

 

TACTICAL MEDIA AND THE ARCHIVE

Moderated by David Garcia and Eric Kluitenberg with bak.ma, Lara Baladi and Robert M.Ochshorn

Tactical media were identified in the 1990s as a distinct cluster of critical practices at the intersection of art, political activism, and technological experimentation. Tactical media are participatory forms of politicized self-mediation that give voice to the marginalized and excluded. There has always been a deeply troubling, uneasy and strenuous relationship between tactical media and archives. Archives, which are traditionally conceived as capturing living moments and turn them into historical events, as such would constitute the very opposite of tactical media’s dynamic nature. As a result of their resistance to archiving, the proponents of tactical media have succumbed to a severe form of memory loss, making critical reflection difficult. This is a high price to pay. This workshop will explore how documentation and memorialization can persist and be re-conceptualized in the wake of this intense collision.